1 10 23 https://archive.englewoodmakeshistory.org/files/original/d8aea2ea1475a4673a54f467bb9bde25.jpg ed0fd188f045aca8b308b48a86ba5608 https://archive.englewoodmakeshistory.org/files/original/9fe83cb2fa0130e6d5b4cb4c4007dc2b.jpg 2ebf57da41635fddb8acbe65a6c13d81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors Places A fixed location. Metadata for a place provides descriptive information that is the basis of discovery of the creation, purpose, and agents associated with a place. Type of Place Residential Date Started 1902-05-08 Source of File Attached “<a href="https://actorsfundhome.org/history">History</a>.” Actors Fund Home. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors Fund Home Source A related resource from which the described resource is derived Joseph, Christina. "Actors' Fund Home asks benefactress to take bow." The Record, 24 Apr. 2003, p. L-3. “<a href="https://actorsfundhome.org/history">History</a>.” Actors Fund Home. Description An account of the resource For nearly a century, the <a href="https://actorsfundhome.org/" target="_blank" rel="noreferrer noopener">Actors Fund Home</a> has been one of Englewood's most distinctive institutions, serving as a refuge and community for generations of performers and entertainment professionals. Operated by the Entertainment Community Fund (formerly The Actors Fund), the organization was founded in 1882 to provide assistance and support to actors and other members of the performing arts community during times of hardship. The Fund opened its first retirement home on Staten Island in 1902. In 1928, it relocated the facility to Englewood, purchasing the former estate of famed financier <a href="https://en.wikipedia.org/wiki/Hetty_Green" target="_blank" rel="noreferrer noopener">Hetty Green</a>. Situated on a wooded hilltop property, the home quickly became a nationally recognized residence for retired entertainers. Newspaper accounts from the 1930s and 1940s described it as a vibrant community where aging actors, musicians, vaudeville performers, and stage veterans continued to share stories, friendships, and a lifelong love of the theater. The home became closely associated with legendary theatrical producer Daniel Frohman, who served as president of The Actors Fund and was frequently celebrated for his commitment to caring for aging performers. A 1933 newspaper profile on Frohman highlighted his belief that happiness came through helping others and noted his long involvement with the Fund and its residents. By the mid-twentieth century, the Actors Fund Home had become a cherished institution within the entertainment industry. A 1948 feature in The Boston Sunday Globe described the Englewood residence and its companion facility on Long Island as examples of how performers cared for their own through mutual aid and philanthropy. The article emphasized that the homes were supported largely through benefit performances and donations from members of the theatrical community. Throughout its history, the home welcomed hundreds of notable entertainers. Among its most famous residents were Joseph Sultzer ("Joe Smith") and Charles Marks ("Charlie Dale"), the celebrated vaudeville comedy team <a href="https://en.wikipedia.org/wiki/Smith_and_Dale" target="_blank" rel="noreferrer noopener">Smith and Dale</a>. Their decades-long partnership inspired The Sunshine Boys and the earlier Broadway play of the same name by Neil Simon. Smith continued performing and speaking at schools even while living at the Englewood home, preserving the traditions of vaudeville for younger generations. Other residents included former Ziegfeld Follies dancer Marguerite St. Clair, actress Mary Hari, television performer Harriett Sappington, and countless stage actors, musicians, dancers, and technicians whose careers had helped shape American entertainment. Newspaper profiles often noted that while many residents had once appeared on Broadway, in vaudeville theaters, or in early motion pictures, they found companionship at the home among peers who understood the unique experiences of life in show business. The home also benefited from the support of prominent entertainers and philanthropists. In 2003, a major donation from <a href="https://thenytrust.org/news/lillian-booth/" target="_blank" rel="noreferrer noopener">Lillian Booth</a>, widow of philanthropist Ferris Booth, helped strengthen the institution during a difficult period for nursing facilities. The Englewood campus was subsequently renamed in her honor, becoming the <a href="https://en.wikipedia.org/wiki/Lillian_Booth_Actors_Home" target="_blank" rel="noreferrer noopener">Lillian Booth Actors Home</a>. Over the decades, the facility evolved to meet changing needs. The original Green mansion was replaced in 1961 by a modern care facility. Subsequent expansions included the Percy Williams Wing (1975), the Edwin Forrest Wing (1988), the Natalie Schafer Enhanced Care Unit (1993), major renovations in 2009, the Shubert Pavilion rehabilitation center (2017), and the Friedman Pavilion memory-care facility (2019). Today, the Actors Fund Home remains a cornerstone of the Entertainment Community Fund's mission. The 169-bed facility provides rehabilitation services, assisted living, skilled nursing care, and memory care while continuing a tradition that began more than 140 years ago: ensuring that performers and entertainment professionals who spent their lives bringing joy to others have a community that will care for them in return. Richmond Times-Dispatch, Nov. 9, 1947 ("Stage Career in Richmond Recalled by Mary Marble") Boston Sunday Globe, June 13, 1948 ("How Actors Take Care of Their Own With Two Comfortable Houses") Hartford Courant, June 17, 1979 ("Vaudeville Still Flourishes Inside Actors Fund Home") The Record (Bergen County), Feb. 16, 1982 ("Curtain Still Up on Actors' Home") Daily Sentinel, May 20, 2003 ("$2 Million Donation Big Help for Actors' Home in Tough Times") Contributor An entity responsible for making contributions to the resource Colman, David Ludder, Rachelle Subject The topic of the resource Social Services Movies Theater Elderly Entertainment Housing https://archive.englewoodmakeshistory.org/files/original/8551ec8d386cb93dabd911fbce85441e.png e9864f25026fbb04cf11320207c101b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors People An individual. Metadata for a person provides detailed biographical information to describe the life of a historical figure. Birth Date 1941-03-04 Birthplace Englewood, New Jersey, USA Occupation Actor Source of File Attached Lewis, Dan. "From Englewood to TV." The Record, 5 Oct. 1975, p.B-20, B-23. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aprea, Jonathan "John" (1941-?) Source A related resource from which the described resource is derived ebay Subject The topic of the resource Movies Description An account of the resource John Aprea is an American actor. Aprea is a second-generation Italian immigrant. He is known for his role as Salvatore Tessio in The Godfather: Part II (1972). He also had roles in Falcon Crest, Full House, Matt Houston, and The Sopranos. He was born in Englewood and attended St. Cecilia High School and Dwight Morrow High School. His parents owned a store, California Market on Palisade Avenue. He married Cherie Latimer but they separated. His second marriage was to Ninon Zenovich in 1987. They divorced in 1998. His third marriage was to Betsey Graci in July 2016. He has one daughter, Nicole. Courtros, Evonne. "Englewood native strikes out on own." The Record, 20 July 1994, p. 10. <div></div> Contributor An entity responsible for making contributions to the resource Colman, David Ludder, Rachelle Publisher An entity responsible for making the resource available wikipedia Date A point or period of time associated with an event in the lifecycle of the resource September 3, 1975 Rights Information about rights held in and over the resource Public Domain Entertainment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors People An individual. Metadata for a person provides detailed biographical information to describe the life of a historical figure. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barrera, Shakira Description An account of the resource Shakira Barrera is an actress, dancer, and performer who was raised in Englewood, New Jersey. The daughter of Nicaraguan immigrants, she developed her passion for dance at an early age and trained extensively in ballet, jazz, tap, flamenco, and hip-hop. After graduating from Rutgers University, she moved to Los Angeles to pursue a career in entertainment, working as a professional dancer before transitioning into acting. Barrera gained national recognition for her role as Yolanda “Yo-Yo” Rivas in the Netflix wrestling comedy-drama GLOW. Her portrayal of the energetic and outspoken wrestler earned praise for bringing depth and visibility to Latina and LGBTQ characters. In addition to her work on GLOW, Barrera has appeared in television and film projects including Faking It, High & Mighty, and The Manor. Throughout her career, Barrera has spoken about the importance of representation in the entertainment industry and has credited her New Jersey upbringing and dance training as key influences on her success. She is regarded as one of the notable performers with roots in Englewood who has gone on to achieve national recognition in television and film. Amy Kuperinsky, “How Shakira Barrera Danced Her Way to TV Wrestling Glory,” The Star-Ledger (Newark, NJ), August 25, 2019, E1–E2. https://archive.englewoodmakeshistory.org/files/original/bf726d2b7c7cd39068bf2f30f7d6e7fe.png caff9ab57f274adc98dd846869738ff1 https://archive.englewoodmakeshistory.org/files/original/63cc89871e6a26c417312f856980c25d.jpg 9e24ac6fd2f97e4fef5a08383e78740f https://archive.englewoodmakeshistory.org/files/original/28edabb739689815e43d90172c74c9ad.jpg 28d00183279698f7ca08073ba414130c https://archive.englewoodmakeshistory.org/files/original/49d720c697fa9be93946264a8e3e95b4.jpg a869698f557ea6b34680b03860d83fcd https://archive.englewoodmakeshistory.org/files/original/353af708c6f066c9ed99b84cad7b216a.jpg d21cf9da86a55ba0eb38d66c3477ea6f https://archive.englewoodmakeshistory.org/files/original/551c3f808154147bb27f588a15df694f.jpg 967f873fc1fee197ed32b6fe987c09de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors People An individual. Metadata for a person provides detailed biographical information to describe the life of a historical figure. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cohon, Robert Peter "Pete Coyote" Description An account of the resource <div> </div> <div> <div class="text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)"> <div class="[--thread-content-max-width:40rem] @w-lg/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn"> <div class="flex max-w-full flex-col gap-4 grow"> <div class="min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&]:mt-1"> <div class="flex w-full flex-col gap-1 empty:hidden"> <div class="markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling"> Peter Coyote (born Robert Peter Cohon, 1941) is an American actor, writer, narrator, and cultural figure whose career spans more than five decades across theater, film, literature, and documentary media. His work is distinguished by a sustained engagement with American countercultural movements, a commitment to political critique, and a later-life turn toward Zen Buddhist practice and philosophical inquiry. Coyote first came to prominence in the San Francisco counterculture of the 1960s, most notably as a central member of the Diggers, a radical street-theater and anarchist collective that merged performance, direct action, and anti-capitalist critique. The Diggers’ interventions—free stores, guerrilla theater, communal experiments—helped shape the political and aesthetic sensibilities of the Haight-Ashbury era. Coyote’s participation placed him at the intersection of art, activism, and alternative social organization, themes that would echo throughout his later work. Transitioning into film in the late 1970s, Coyote established himself as a character actor of intellectual authority and moral ambiguity, frequently cast in roles that balance institutional power with underlying ethical complexity. His filmography includes prominent performances in E.T. the Extra-Terrestrial (1982), Jagged Edge (1985), Bitter Moon (1992), and numerous independent and international productions. Perhaps most significantly, Coyote has become one of the most recognizable voices in contemporary documentary culture. His distinctive vocal presence—measured, resonant, and rhetorically restrained—has made him a primary narrator for Ken Burns, PBS, and major historical documentary projects. Through this work, he has contributed to the shaping of public memory and national historiography, particularly in films on subjects such as the Vietnam War, American presidents, and major cultural movements. As an author, Coyote has produced two memoirs, Sleeping Where I Fall (1998) and The Rainman’s Third Cure (2015), both of which offer reflexive, literate accounts of his experiences in the counterculture and his later philosophical development. These texts are valuable primary sources for scholars of the 1960s, communal movements, and American spiritual history. A committed Zen Buddhist, Coyote was ordained as a priest in the Soto Zen tradition. His spiritual practice informs both his public persona and his written work, providing a lens through which he reinterprets earlier experiences in activism, addiction, and artistic life. Taken together, Coyote’s career constitutes a unique case study in the interrelation of countercultural politics, media performance, narrative historiography, and spiritual inquiry in late-20th- and early-21st-century American culture. Growing up in Englewood during the 1940s and early 1950s left a profound mark on Peter Coyote’s identity, worldview, and early understanding of race, community, and belonging. He remembers Englewood as a place of trees, woods, and freedom—a landscape that offered a “be back before dark” kind of childhood. Yet the most significant influence came from the people who raised him. From ages three to fourteen, Coyote was essentially brought up within a Black community. His family’s housekeeper at 90 Booth Avenue, Sue Howard—an 18-year-old Black woman sent by his aunt to stabilize the household during his mother’s breakdown—became his primary caregiver. Sue, her boyfriend Ozzie, and their friends created a kitchen filled with laughter, gospel music, and emotional warmth, in sharp contrast to the isolation of his birth mother in the next room. This environment shaped his early emotional life and gave him a deep sense of comfort and connection with Black culture. Englewood also taught Coyote about race and exclusion. He saw firsthand how Sue Howard was treated as a Black woman in public spaces, and he experienced his own form of outsider status as a Jewish child in the 1940s, when Jews were not considered fully “white.” He was barred from the local country club except as a limited guest, giving him an early sense of social marginality. His school experiences reflected the town’s segregation. At the elite all-white Boys’ School he felt uncomfortable, eventually failing out and transferring to Dwight Morrow High School, which was racially diverse and where many of his friends from the Fourth Ward attended. This environment felt more like home. In 1958 he brought a Black girl to the junior prom, defying social expectations—an early expression of the rebellious moral independence that would later define his activism. Englewood’s physical landscape did not strongly shape Coyote’s relationship to American history, but the social landscape—its racial divisions, its communities, and its injustices—left lasting emotional and ethical imprints. The warmth of Black domestic life, the sting of exclusion, and the realities of segregation formed the backdrop against which he later developed his political consciousness, countercultural commitments, and storytelling sensibility. </div> </div> </div> </div> </div> </div> </div> Creator An entity primarily responsible for making the resource Frank Schulenberg Publisher An entity responsible for making the resource available wikipedia Date A point or period of time associated with an event in the lifecycle of the resource Peter Coyote at Durell Vineyard, Sonoma, on the occasion of 10 Years Project Coyote, April 2019 Contributor An entity responsible for making contributions to the resource Colman, David Rights Information about rights held in and over the resource Public Domain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors People An individual. Metadata for a person provides detailed biographical information to describe the life of a historical figure. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curatola, Vincent (1953-) Description An account of the resource Vincent Curatola (born August 16, 1953, in Englewood, New Jersey) is an American actor best known for his portrayal of Johnny “Sack” Sacramoni, the ambitious mob underboss on HBO’s The Sopranos, a role he played throughout the series’ six-season run from 1999 to 2007. Before pursuing acting, Curatola worked as a masonry contractor in New Jersey, beginning acting classes in the early 1990s before gradually transitioning into television and film. In addition to The Sopranos, he has appeared in a wide range of television series, including Law & Order, The Good Wife, Blue Bloods, and Person of Interest, as well as films such as Killing Them Softly. Outside of acting, Curatola is also a singer and has occasionally performed live with the band Chicago. https://archive.englewoodmakeshistory.org/files/original/205b818deca829fae308b0f59572f232.png c2a34b9c5faf82a7ff8db2919c8b1093 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors People An individual. Metadata for a person provides detailed biographical information to describe the life of a historical figure. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Davis, Hope Source A related resource from which the described resource is derived Peabody Awards Publisher An entity responsible for making the resource available wikipedia Date A point or period of time associated with an event in the lifecycle of the resource May 30, 2010 Contributor An entity responsible for making contributions to the resource Colman, David Rights Information about rights held in and over the resource Public Domain Description An account of the resource <a href="https://en.wikipedia.org/wiki/Hope_Davis">Hope Davis</a> is an acclaimed American actress known for her work in film, television, and theater. Born in Englewood, New Jersey, on March 23, 1964, she spent her early years in Bergen County and was raised in nearby Tenafly, where she graduated from Tenafly High School in 1982. Her Englewood roots placed her within a vibrant cultural community that helped shape her early interest in the arts. Davis built a distinguished acting career with notable roles in films such as The Daytrippers, About Schmidt, American Splendor, Infamous, and Asteroid City. On television, she earned Emmy Award nominations for her performances in In Treatment, The Special Relationship, and Succession. She has also received Golden Globe and Tony Award nominations, establishing herself as one of the most respected character actresses of her generation. https://archive.englewoodmakeshistory.org/files/original/6a6786a929404bcd3bbab802acd38147.png 8291a39597a2ba902767626775048fb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors People An individual. Metadata for a person provides detailed biographical information to describe the life of a historical figure. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harris, Ed Creator An entity primarily responsible for making the resource Gage Skidmore Publisher An entity responsible for making the resource available wikipedia Date A point or period of time associated with an event in the lifecycle of the resource July 22, 2017 Contributor An entity responsible for making contributions to the resource Colman, David Rights Information about rights held in and over the resource Public Domain Description An account of the resource Edward Harris is an acclaimed American actor, director, and producer whose distinguished career has spanned more than four decades. Born at Englewood Hospital in Englewood on November 28, 1950, Harris spent his early years in nearby Tenafly before pursuing a career in acting. He earned widespread recognition for his performances in films such as The Right Stuff, Apollo 13, The Truman Show, and The Hours, receiving four Academy Award nominations. Harris also directed and starred in Pollock, a biographical drama about artist Jackson Pollock that earned him an Academy Award nomination for Best Actor. Although he built his career in Hollywood, Harris's roots in Englewood connect him to Bergen County's long tradition of producing influential figures in the arts and entertainment industry. His success on stage, screen, and television—including his acclaimed role as the Man in Black in the HBO series Westworld—has made him one of the most respected actors of his generation. https://archive.englewoodmakeshistory.org/files/original/a46496c8953a21bfc606a3bfdd3065e2.png 374bda90be5a57552c1c67bc1a33c4b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors People An individual. Metadata for a person provides detailed biographical information to describe the life of a historical figure. Birth Date 1900-10-10 Birthplace Washington D.C., United States Death Date 1993-03-27 Occupation Actress Philanthropist Source of File Attached “Helen Hayes.” Wikipedia, Wikimedia Foundation, 7 Apr. 2024, en.wikipedia.org/wiki/Helen_Hayes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MacArthur, Helen Hayes Brown (1900-1993) Helen Hayes Source A related resource from which the described resource is derived Toronto Star Description An account of the resource Helen Hayes was one of the most celebrated actresses in American history and was widely known as the "First Lady of the American Theatre." Active on stage and screen from 1905 to 1987, she became the first person to achieve what is now known as the Triple Crown of Acting and was the second woman to earn an EGOT, having won an Emmy, Grammy, Academy Award, and Tony Award. Her extraordinary contributions to American culture were recognized with both the Presidential Medal of Freedom and the National Medal of Arts. Her legacy continues through the annual Helen Hayes Awards, which honor excellence in professional theater in the Washington, D.C., region. Beyond her acting career, Hayes was deeply involved in philanthropy and civic life. A lifelong Catholic and active Republican, she supported numerous charitable organizations, including the Girl Scouts of the USA and the Riverside Shakespeare Company. She also devoted significant time to the <a href="https://actorsfundhome.org/history">Actors Fund of America</a>, serving as one of its vice presidents. The Actors Fund operated a network of homes and care facilities for entertainment professionals in several locations across the United States, providing housing, health care, and support services for actors and other members of the performing arts community. Hayes was a prominent advocate for the organization and helped raise awareness of its mission throughout her career. Hayes also maintained a close relationship with the Actors Fund Home in Englewood, New Jersey, one of the organization's most well-known facilities. She later became a resident there, and her connection to the home was highlighted by a widely publicized celebration of her 80th birthday in October 1980. The event drew fellow stage and screen legends, including Lillian Gish, Ethel Merman, Maureen Stapleton, Colleen Dewhurst, and Mildred Natwick. During the celebration, Actors Fund officials announced plans for a permanent rose garden featuring "Helen Hayes Roses," ensuring that her presence at the home would be remembered for years to come. The gathering reflected the affection and admiration she inspired throughout the theatrical community and underscored her special place in the history of the Actors Fund Home. In her personal life, Hayes married Charles MacArthur in 1928. The couple had two children: Mary MacArthur, who tragically died from polio in 1949, and James MacArthur, who went on to become a successful actor in his own right. Hayes was also the grandmother of Charles P. MacArthur, Mary McClure, Juliette Rappaport, and James D. MacArthur. Actress Helen Hayes Celebrated Her 80th Birthday Sunday by Falling in Love Again,” United Press International, October 12, 1980. Publisher An entity responsible for making the resource available wikipedia Date A point or period of time associated with an event in the lifecycle of the resource January 21, 1948 Contributor An entity responsible for making contributions to the resource Colman, David Rights Information about rights held in and over the resource Public Domain https://archive.englewoodmakeshistory.org/files/original/619e93f06242fa6dd1f8e31365b4ee05.png 21896ce2d411fa0859a1afdc14419207 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors People An individual. Metadata for a person provides detailed biographical information to describe the life of a historical figure. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krones, Lisa Loughlin Description An account of the resource Lisa Loughlin Krones is an American actress whose career includes work in film, television, and theater, where she was recognized for her versatility in both dramatic and comedic roles. In later years, she became closely connected to Englewood, New Jersey, where she lived and became actively engaged in the community. In Englewood, she shifted much of her creative energy toward writing and local history, using her background as a performer and storyteller to help document and preserve the city’s cultural and civic past. Her work reflects a deep commitment to Englewood as both a place she called home and a community whose stories deserved to be remembered and shared. Creator An entity primarily responsible for making the resource need to find out how to get use of a photo of her- they all seem to by copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors People An individual. Metadata for a person provides detailed biographical information to describe the life of a historical figure. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Beauf, Sabrina (1958-) Description An account of the resource At the height of Le Beauf's fame during the Cosby Show, she lived at 133 St.Nicholas Avenue in Englewood, NJ.