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              <text>&lt;p&gt;“&lt;a href="https://en.wikipedia.org/wiki/Robert_Earl_Jones"&gt;Robert Earl Jones.&lt;/a&gt;” &lt;i&gt;Wikipedia&lt;/i&gt;, Wikimedia Foundation, 11 Sept. 2024.&lt;/p&gt;
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                <text>&lt;p&gt;&lt;strong&gt;&lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Robert Earl Jones&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt; (1910–2006) was a pioneering American stage and screen actor whose long career spanned early Black theater, classic Hollywood, and postwar Broadway. Born in Mississippi, Jones left school at a young age and worked with his family as a sharecropper before joining the Great Migration north. He first settled in Chicago and later moved to New York City, where he became part of the vibrant Black artistic world that emerged during the Harlem Renaissance.&lt;/p&gt;
&lt;p&gt;Jones began acting professionally in the late 1930s, earning his first credited role in 1938. He made his Broadway debut in the mid-1940s and developed a reputation as a powerful character actor with exceptional emotional range. Although his career was interrupted in the 1950s when he was blacklisted for his political associations, Jones eventually returned to both stage and screen, continuing to work steadily for decades.&lt;/p&gt;
&lt;p&gt;His film appearances included &lt;em&gt;Lying Lips&lt;/em&gt; (1939), &lt;em&gt;The Sting&lt;/em&gt; (1973), &lt;em&gt;The Cotton Club&lt;/em&gt; (1984), and &lt;em&gt;Witness&lt;/em&gt; (1985). In &lt;em&gt;The Sting&lt;/em&gt;, Jones played the mentor to Robert Redford’s character, a role that brought him renewed national attention late in his career. He remained active not only in major films but also in local and independent theater and television productions well into his later years.&lt;/p&gt;
&lt;p&gt;In 1984, Jones appeared alongside Englewood resident &lt;strong&gt;&lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;David Colman&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt; in a Bob and Linda Chase production for an NBC Thanksgiving Special. In the broadcast, Jones portrayed Colman’s step-grandfather, a compassionate elder whose guidance helps a younger family member confront and overcome his homophobia. The role reflected Jones’s enduring commitment to socially meaningful storytelling and to mentoring younger generations of performers.&lt;/p&gt;
&lt;p&gt;Jones was married three times. His first marriage, to Ruth Connolly in 1929, ended in divorce in 1934. In 1938, he married Jumelle Jones; they divorced in 1950. Their son, &lt;strong&gt;&lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;James Earl Jones&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;, would later become one of the most celebrated actors of his generation. Jones’s third marriage, to Ruth Williams in 1960, produced another son, Matthew Earl Jones.&lt;/p&gt;
&lt;p&gt;In his final years, Robert Earl Jones lived at the Actors Fund Home in Englewood, New Jersey, where he remained connected to the performing arts community he had helped shape. He died in 2006 at the age of 96, leaving behind a legacy as a resilient trailblazer whose life traced the expanding possibilities for Black actors in American theater, film, and television.&lt;/p&gt;
&lt;p&gt;"Stage and film actor was the father of James Earl Jones." &lt;em&gt;National Post&lt;/em&gt;, 25 Sep. 2006, p. AL7.&lt;/p&gt;
&lt;div&gt;“&lt;a href="https://en.wikipedia.org/wiki/Robert_Earl_Jones"&gt;Robert Earl Jones.&lt;/a&gt;” &lt;i&gt;Wikipedia&lt;/i&gt;, Wikimedia Foundation, 11 Sept. 2024.&lt;br /&gt;&lt;br /&gt;Fox, Margalit. "Broadway actor Robert Earl Jones dies at 96." &lt;em&gt;The Stuart News&lt;/em&gt;, 20 Sep. 2006, p. B4.&lt;/div&gt;
&lt;br /&gt;Margalit Fox, "Robert Earl Jones, 96, Broadway Actor, Dies." &lt;em&gt;New York Times&lt;/em&gt;, September 19, 2006.</text>
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                <text>&lt;a href="https://en.wikipedia.org/wiki/Robert_Earl_Jones" class="extiw" title="w:Robert Earl Jones"&gt;Robert Earl Jones&lt;/a&gt;&lt;span&gt; in &lt;/span&gt;&lt;a href="https://en.wikipedia.org/wiki/Langston_Hughes" class="extiw" title="w:Langston Hughes"&gt;Langston Hughes&lt;/a&gt;&lt;span&gt;' &lt;/span&gt;&lt;i&gt;Don't You Want to be Free?&lt;/i&gt;</text>
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              <text>"Pearl Levine." &lt;em&gt;The Record&lt;/em&gt;, 27 July 1996, p.11.</text>
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                <text>Pearl Levine was the longtime owner of Dave's Luncheonette. Generations of Englewood youth bought candy and comic books at Dave's.</text>
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              <text>“Helen Hayes.” Wikipedia, Wikimedia Foundation, 7 Apr. 2024, en.wikipedia.org/wiki/Helen_Hayes. </text>
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                <text>&lt;em&gt;Toronto Star&lt;/em&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Helen Hayes&lt;/strong&gt; was one of the most celebrated actresses in American history and was widely known as the "First Lady of the American Theatre." Active on stage and screen from 1905 to 1987, she became the first person to achieve what is now known as the Triple Crown of Acting and was the second woman to earn an EGOT, having won an Emmy, Grammy, Academy Award, and Tony Award. Her extraordinary contributions to American culture were recognized with both the Presidential Medal of Freedom and the National Medal of Arts. Her legacy continues through the annual &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Helen Hayes Awards&lt;/span&gt;&lt;/span&gt;, which honor excellence in professional theater in the Washington, D.C., region.&lt;/p&gt;
&lt;p&gt;Beyond her acting career, Hayes was deeply involved in philanthropy and civic life. A lifelong Catholic and active Republican, she supported numerous charitable organizations, including the &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Girl Scouts of the USA&lt;/span&gt;&lt;/span&gt; and the &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Riverside Shakespeare Company&lt;/span&gt;&lt;/span&gt;. She also devoted significant time to the &lt;a href="https://actorsfundhome.org/history"&gt;&lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Actors Fund of America&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;, serving as one of its vice presidents. The Actors Fund operated a network of homes and care facilities for entertainment professionals in several locations across the United States, providing housing, health care, and support services for actors and other members of the performing arts community. Hayes was a prominent advocate for the organization and helped raise awareness of its mission throughout her career.&lt;/p&gt;
&lt;p&gt;Hayes also maintained a close relationship with the &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Actors Fund Home&lt;/span&gt;&lt;/span&gt; in Englewood, New Jersey, one of the organization's most well-known facilities. She later became a resident there, and her connection to the home was highlighted by a widely publicized celebration of her 80th birthday in October 1980. The event drew fellow stage and screen legends, including &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Lillian Gish&lt;/span&gt;&lt;/span&gt;, &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Ethel Merman&lt;/span&gt;&lt;/span&gt;, &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Maureen Stapleton&lt;/span&gt;&lt;/span&gt;, &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Colleen Dewhurst&lt;/span&gt;&lt;/span&gt;, and &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Mildred Natwick&lt;/span&gt;&lt;/span&gt;. During the celebration, Actors Fund officials announced plans for a permanent rose garden featuring "Helen Hayes Roses," ensuring that her presence at the home would be remembered for years to come. The gathering reflected the affection and admiration she inspired throughout the theatrical community and underscored her special place in the history of the Actors Fund Home.&lt;/p&gt;
&lt;p&gt;In her personal life, Hayes married &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Charles MacArthur&lt;/span&gt;&lt;/span&gt; in 1928. The couple had two children: Mary MacArthur, who tragically died from polio in 1949, and &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;James MacArthur&lt;/span&gt;&lt;/span&gt;, who went on to become a successful actor in his own right. Hayes was also the grandmother of Charles P. MacArthur, Mary McClure, Juliette Rappaport, and James D. MacArthur.&lt;/p&gt;
&lt;p&gt;Actress Helen Hayes Celebrated Her 80th Birthday Sunday by Falling in Love Again,” &lt;em&gt;United Press International&lt;/em&gt;, October 12, 1980.&lt;/p&gt;</text>
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