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              <text>&lt;p&gt;“&lt;a href="https://en.wikipedia.org/wiki/Abel_I._Smith_Burial_Ground"&gt;Abel I. Smith Burial Ground.&lt;/a&gt;” &lt;i&gt;Wikipedia&lt;/i&gt;, Wikimedia Foundation, 2 Apr. 2024.&lt;/p&gt;
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                <text>&lt;span&gt;"In the Real Estate Field." &lt;/span&gt;&lt;em&gt;New York Times,&lt;/em&gt;&lt;span&gt; ProQuest Historical Newspapers: The New York Times, 2 Dec. 1908, p. 16.&lt;/span&gt;</text>
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                <text>"County Hospital Site Subject Of Criticism." &lt;em&gt;Bayonne Review&lt;/em&gt;, 24 July 1919, p.4</text>
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                <text>Abel I. Smith bought a large section of land in Secaucus in 1733. The Farm was 206 acres of the wester Hudson Palisades. The Smiths owned the land until December 1, 1908 when it was turned over to &lt;span&gt;B.M. Shanley's Sons' Company and H.S. Korbaugh Company of West Virginia for $255,000&lt;/span&gt;</text>
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                <text>Controversial Principal of Dwight Morrow High School between 1972 and 1973.</text>
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              <text>"&lt;a href="https://www.findagrave.com/memorial/79691820/jack-abrams?_gl=1*ll8vuc*_gcl_aw*R0NMLjE3MjQxOTIyNTMuQ2p3S0NBandfWkMyQmhBUUVpd0FYU2dDbHRwM2VkWWtzOEJMOWlTX0k2eVE4eWE3VXExVlplUzVkYXRUN2dMSkl0d21CalJ3bGVqOGVob0N0S0FRQXZEX0J3RQ..*_gcl_dc*R0NMLjE3MjQxOTIyNTMuQ2p3S0NBandfWkMyQmhBUUVpd0FYU2dDbHRwM2VkWWtzOEJMOWlTX0k2eVE4eWE3VXExVlplUzVkYXRUN2dMSkl0d21CalJ3bGVqOGVob0N0S0FRQXZEX0J3RQ..*_gcl_au*MTI5NjY1NDIyNS4xNzE4OTE1Nzcw*_ga*MTk2ODY2MDA3NS4xNzEwNzk0ODY1*_ga_4QT8FMEX30*ZmE3MjIwNGQtYzUxOC00MWZkLWEwY2ItMmI5N2ZkMDlmODkyLjU3LjEuMTcyNTYzODQ4MS41Mi4wLjA.*_ga_LMK6K2LSJH*ZmE3MjIwNGQtYzUxOC00MWZkLWEwY2ItMmI5N2ZkMDlmODkyLjU3LjEuMTcyNTYzODQ4MS4wLjAuMA.."&gt;Jack Abrams&lt;/a&gt;." &lt;em&gt;Find A Grave.&lt;/em&gt;</text>
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                <text>Jack Abrams was a police officer and police chief in Englewood. He started his career in 1911 as an auxiliary officer and joined the department in 1916. He served in World War I. In 1922 he became a sergeant and in 1924 he rose to captain. In 1937 he was one of the founders of the Traffic Bureau. He became the acting Police Chief in 1949 and was appointed permanently in 1950. He served as a police officer for forty-two years. He married Diane. He had two stepdaughters, Honey and Dorothy.</text>
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                <text>"Abrams Rites Are Thursday." &lt;em&gt;The Record&lt;/em&gt;, 20 Oct. 1964, p. 55.</text>
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                <text>Academies at Englewood was founded in 2002 after fifteen-plus-years of arguments between the Board of Education of Englewood and the Board of Education of Tenafly and the Board of Education of Englewood Cliffs. Dr. John Grieco created the new academies at Englewood to improve city classrooms and attract white students.&lt;br /&gt;&lt;br /&gt;The academies are Finance and Business, Information Systems, Law and Public Safety, and Pre-Engineering. The last, BioMedicine was added in 2004. It shares a campus with Dwight Morrow High School.</text>
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                <text>"Grieco's Challenge - Can magnet schools flourish in Englewood?" &lt;em&gt;The Record,&lt;/em&gt; February 3, 2002, p. 88.</text>
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              <text>“&lt;a href="https://actorsfundhome.org/history"&gt;History&lt;/a&gt;.” &lt;i&gt;Actors Fund Home.&lt;/i&gt;</text>
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                <text>Joseph, Christina. "Actors' Fund Home asks benefactress to take bow." &lt;em&gt;The Record&lt;/em&gt;, 24 Apr. 2003, p. L-3.</text>
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                <text>&lt;p&gt;“&lt;a href="https://actorsfundhome.org/history"&gt;History&lt;/a&gt;.” &lt;i&gt;Actors Fund Home.&lt;/i&gt;&lt;/p&gt;
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                <text>&lt;p&gt;For nearly a century, the &lt;a href="https://actorsfundhome.org/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Actors Fund Home&lt;/strong&gt;&lt;/a&gt; has been one of Englewood's most distinctive institutions, serving as a refuge and community for generations of performers and entertainment professionals. Operated by the &lt;strong&gt;Entertainment Community Fund&lt;/strong&gt; (formerly The Actors Fund), the organization was founded in 1882 to provide assistance and support to actors and other members of the performing arts community during times of hardship.&lt;/p&gt;
&lt;p&gt;The Fund opened its first retirement home on Staten Island in 1902. In 1928, it relocated the facility to Englewood, purchasing the former estate of famed financier &lt;a href="https://en.wikipedia.org/wiki/Hetty_Green" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Hetty Green&lt;/strong&gt;&lt;/a&gt;. Situated on a wooded hilltop property, the home quickly became a nationally recognized residence for retired entertainers. Newspaper accounts from the 1930s and 1940s described it as a vibrant community where aging actors, musicians, vaudeville performers, and stage veterans continued to share stories, friendships, and a lifelong love of the theater.&lt;/p&gt;
&lt;p&gt;The home became closely associated with legendary theatrical producer &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Daniel Frohman&lt;/span&gt;&lt;/span&gt;, who served as president of The Actors Fund and was frequently celebrated for his commitment to caring for aging performers. A 1933 newspaper profile on Frohman highlighted his belief that happiness came through helping others and noted his long involvement with the Fund and its residents.&lt;/p&gt;
&lt;p&gt;By the mid-twentieth century, the Actors Fund Home had become a cherished institution within the entertainment industry. A 1948 feature in &lt;em&gt;The Boston Sunday Globe&lt;/em&gt; described the Englewood residence and its companion facility on Long Island as examples of how performers cared for their own through mutual aid and philanthropy. The article emphasized that the homes were supported largely through benefit performances and donations from members of the theatrical community.&lt;/p&gt;
&lt;p&gt;Throughout its history, the home welcomed hundreds of notable entertainers. Among its most famous residents were &lt;strong&gt;Joseph Sultzer ("Joe Smith")&lt;/strong&gt; and &lt;strong&gt;Charles Marks ("Charlie Dale")&lt;/strong&gt;, the celebrated vaudeville comedy team &lt;a href="https://en.wikipedia.org/wiki/Smith_and_Dale" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Smith and Dale&lt;/strong&gt;&lt;/a&gt;. Their decades-long partnership inspired &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;The Sunshine Boys&lt;/span&gt;&lt;/span&gt; and the earlier Broadway play of the same name by &lt;span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"&gt;&lt;span class="whitespace-normal"&gt;Neil Simon&lt;/span&gt;&lt;/span&gt;. Smith continued performing and speaking at schools even while living at the Englewood home, preserving the traditions of vaudeville for younger generations.&lt;/p&gt;
&lt;p&gt;Other residents included former Ziegfeld Follies dancer &lt;strong&gt;Marguerite St. Clair&lt;/strong&gt;, actress &lt;strong&gt;Mary Hari&lt;/strong&gt;, television performer &lt;strong&gt;Harriett Sappington&lt;/strong&gt;, and countless stage actors, musicians, dancers, and technicians whose careers had helped shape American entertainment. Newspaper profiles often noted that while many residents had once appeared on Broadway, in vaudeville theaters, or in early motion pictures, they found companionship at the home among peers who understood the unique experiences of life in show business.&lt;/p&gt;
&lt;p&gt;The home also benefited from the support of prominent entertainers and philanthropists. In 2003, a major donation from &lt;a href="https://thenytrust.org/news/lillian-booth/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Lillian Booth&lt;/strong&gt;&lt;/a&gt;, widow of philanthropist Ferris Booth, helped strengthen the institution during a difficult period for nursing facilities. The Englewood campus was subsequently renamed in her honor, becoming the &lt;a href="https://en.wikipedia.org/wiki/Lillian_Booth_Actors_Home" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Lillian Booth Actors Home&lt;/strong&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Over the decades, the facility evolved to meet changing needs. The original Green mansion was replaced in 1961 by a modern care facility. Subsequent expansions included the Percy Williams Wing (1975), the Edwin Forrest Wing (1988), the Natalie Schafer Enhanced Care Unit (1993), major renovations in 2009, the Shubert Pavilion rehabilitation center (2017), and the Friedman Pavilion memory-care facility (2019).&lt;/p&gt;
&lt;p&gt;Today, the Actors Fund Home remains a cornerstone of the Entertainment Community Fund's mission. The 169-bed facility provides rehabilitation services, assisted living, skilled nursing care, and memory care while continuing a tradition that began more than 140 years ago: ensuring that performers and entertainment professionals who spent their lives bringing joy to others have a community that will care for them in return.&lt;em style="font-family:'-apple-system', BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;"&gt;&lt;/em&gt;&lt;/p&gt;
Richmond Times-Dispatch, Nov. 9, 1947 ("Stage Career in Richmond Recalled by Mary Marble")&lt;br /&gt;&lt;br /&gt;Boston Sunday Globe, June 13, 1948 ("How Actors Take Care of Their Own With Two Comfortable Houses")&lt;br /&gt;&lt;br /&gt;Hartford Courant, June 17, 1979 ("Vaudeville Still Flourishes Inside Actors Fund Home")&lt;br /&gt;&lt;br /&gt;The Record (Bergen County), Feb. 16, 1982 ("Curtain Still Up on Actors' Home")&lt;br /&gt;&lt;br /&gt;Daily Sentinel, May 20, 2003 ("$2 Million Donation Big Help for Actors' Home in Tough Times")</text>
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                <text>Alan Baty and his Englewood Minstrel Troupe</text>
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                <text>Allan Baty was a well-known African American entertainer and community organizer in Englewood during the 1920s. Each spring, he organized and led a minstrel troupe made up of young Black residents of the city. Over time, these performances became a regular and anticipated event in Englewood’s social calendar, signaling both the arrival of the season and the return of one of the city’s most popular community shows. Baty served as both leader and featured comedian. Known for his quick humor and stage presence, he acted as master of ceremonies and helped structure the performances in the traditional minstrel format of the era, which typically included comic exchanges, musical numbers, singing, and dance routines. His troupe showcased a range of local talent, giving young performers an opportunity to appear before large audiences. The annual performances were usually held at Lincoln School, an important center of Black community life in Englewood during a period when segregation shaped educational and social spaces. The shows attracted wide interest and were considered major entertainment events. At times, the troupe also performed outside Englewood, indicating that Baty and his performers had developed a reputation beyond their immediate neighborhood. While the minstrel tradition has roots in deeply problematic racial caricature from the nineteenth century, African American communities in the early twentieth century sometimes adapted the format as one of the few accessible platforms for public performance. In Englewood, Baty’s troupe functioned not only as entertainment but also as a cultural institution—bringing together music, humor, and community pride in an era when opportunities for Black performers were limited. Allan Baty’s work reflects the vitality of Englewood’s Black civic and cultural life in the 1920s. Through organization, performance, and leadership, he helped create an annual tradition that blended artistry, local identity, and community gathering.&lt;br /&gt;&lt;br /&gt;
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&lt;p&gt;“Minstrels Await Hackensack Visit: Alan Baty To Lead Troupe in Entertainment.” &lt;em&gt;The Record&lt;/em&gt; (Hackensack, NJ), April 13, 1927, p. 6.&lt;/p&gt;
&lt;p&gt;“Minstrels Will Be Staged on May 27: Allan Baty’s Troupe a Sure Sign of Spring.” &lt;em&gt;The Record&lt;/em&gt; (Hackensack, NJ), May 11, 1927, p. 6.&lt;/p&gt;
&lt;p&gt;“Minstrels Will Be Staged on May 27: Allan Baty’s Troupe a Sure Sign of Spring.” &lt;em&gt;The Record&lt;/em&gt; (Hackensack, NJ), May 11, 1927, p. 6.&lt;/p&gt;
&lt;br /&gt;Partly written by OpenAI. (2026, January, 13). ChatGPT (GPT-5.2.) [Large Language Model] https://chat.openai.com/chat.&lt;/div&gt;
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                <text>Albert Anastasia</text>
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                <text>Colman, David</text>
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                <text>&lt;div&gt;
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&lt;p&gt;&lt;strong&gt;Albert Anastasia (1902–1957)&lt;/strong&gt; was one of the most influential and feared figures in American organized crime during the mid-twentieth century. Born Umberto Anastasio in Calabria, Italy, he immigrated to the United States as a teenager and rose through the ranks of the Mafia during Prohibition. He eventually became the boss of the crime family that would later be known as the Gambino family. Law enforcement officials and crime commissions frequently associated him with the feared enforcement network known as “Murder, Inc.,” making him one of the most notorious underworld figures of his era.&lt;/p&gt;
&lt;p&gt;Anastasia maintained a strong connection to &lt;strong&gt;Fort Lee, New Jersey&lt;/strong&gt;, where he lived in a lavish Spanish-style estate on Bluff Road overlooking the Hudson River. During the 1940s and 1950s, Fort Lee became a favored residential enclave for a number of organized crime figures. Its proximity to Manhattan allowed mob leaders to conduct business in New York while enjoying the privacy, spacious homes, and suburban atmosphere of Bergen County. As a result, Fort Lee developed a reputation as one of several North Jersey communities where prominent underworld figures established residences.&lt;/p&gt;
&lt;p&gt;Newspaper accounts from the period frequently identified Anastasia as a Fort Lee resident. His home became a symbol of both his wealth and influence, drawing attention from reporters, law enforcement officials, and curious members of the public. The estate was known for its commanding location and elaborate furnishings, reflecting the prosperity that accompanied his rise within organized crime.&lt;/p&gt;
&lt;p&gt;Anastasia's career came to a dramatic end on October 25, 1957, when he was assassinated while sitting in a barber's chair at New York's Park Sheraton Hotel. The killing remains one of the most famous unsolved murders in Mafia history and marked a major shift in the balance of power within organized crime. In the weeks following his death, public fascination was so great that crowds reportedly overwhelmed an auction of furnishings from his former Fort Lee residence.&lt;/p&gt;
&lt;p&gt;Today, Albert Anastasia is remembered as one of the most powerful Mafia leaders of the twentieth century. His years in &lt;strong&gt;Fort Lee&lt;/strong&gt; highlight the borough's little-known role in the history of organized crime, when several prominent mob figures chose the community as a suburban refuge while remaining closely connected to the criminal networks centered in nearby New York City.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The Record&lt;/em&gt; (Hackensack, New Jersey), November 21, 1951. Article discussing Albert Anastasia's residence at 75 Bluff Road in Fort Lee and his response to reports that he had been ordered to leave New York-area organized crime circles.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
&lt;em&gt;&lt;br /&gt;The Buffalo News&lt;/em&gt;, November 23, 1957. Report on the auction of furnishings from Anastasia's Fort Lee estate following his death, describing the large public turnout and the contents of the home.&lt;br /&gt;&lt;em&gt;&lt;br /&gt;The Springfield Sunday Republican&lt;/em&gt;, April 22, 1951. Coverage of testimony before the Kefauver Committee that discussed Anastasia's alleged role in organized crime and his prominence within the national underworld.&lt;br /&gt;&lt;br /&gt;Nigel Nicolson, "I Used to Play with Tony Soprano," &lt;em&gt;The Sunday Telegraph&lt;/em&gt;, October 28, 2001. Recollection of growing up in Fort Lee during a period when several organized crime figures, including Albert Anastasia, maintained homes in the community.&lt;br /&gt;
&lt;p&gt;&lt;em style="font-family:'-apple-system', BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;
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